You are currently viewing Dalle antologie ai margini, e ritorno. Un capitolo nell’appropriazione di Euripide nel Rinascimento & The first English Translation of Xenophon’s <i>Hiero</i>: Greek Literature and Politics in Jacobean England

Dalle antologie ai margini, e ritorno. Un capitolo nell’appropriazione di Euripide nel Rinascimento & The first English Translation of Xenophon’s Hiero: Greek Literature and Politics in Jacobean England

Post author:Sidia Fiorato
Post published:6 June 2024
Post category:Announcements / Seminars

Guido Avezzù (Università di Verona)

Dalle antologie ai margini, e ritorno. Un capitolo nell’appropriazione di Euripide nel Rinascimento

Francesco Dall’Olio (Università di Verona)

The first English Translation of Xenophon’s Hiero: Greek Literature and Politics in Jacobean England

11 giugno 2024, ore 16.30 – da remoto

Per il collegamento Zoom scrivere a: skene@ateneo.univr.it

Poster

Assimilated by the moderns to the stage, in ancient times the skenè (σκηνή) is the backdrop, initially a painted canvas, against which the characters act and speak. Connoted not only visually but also ritually, it alludes to the offstage – both behind or extra-scenic – as well as to other actions and other times, and is the mirror that reverberates the actors’ words to the audience.

Dalle antologie ai margini, e ritorno. Un capitolo nell’appropriazione di Euripide nel Rinascimento

The first English Translation of Xenophon’s Hiero: Greek Literature and Politics in Jacobean England

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