You are currently viewing Esclusione e misoginia nel <i>Tersite</i> di Stefan Zweig

Esclusione e misoginia nel Tersite di Stefan Zweig

Post author:Sidia Fiorato
Post published:22 May 2024
Post category:Announcements / Seminars

5 giugno 2024, ore 17.00

Palazzo di Lingue – Aula T.7

**Esclusione e misoginia nel Tersite di Stefan Zweig**

A cura di Diana Battisti (Università di Pisa) e

Arturo Larcati (Università di Verona)

Modera Gherardo Ugolini (Università di Verona)

Per il collegamento Zoom scrivere a: skene@ateneo.univr.it

Poster

Assimilated by the moderns to the stage, in ancient times the skenè (σκηνή) is the backdrop, initially a painted canvas, against which the characters act and speak. Connoted not only visually but also ritually, it alludes to the offstage – both behind or extra-scenic – as well as to other actions and other times, and is the mirror that reverberates the actors’ words to the audience.

Esclusione e misoginia nel Tersite di Stefan Zweig

You Might Also Like

Symposium Forms, Genres and Conventions

Making Italy Anglican. Why the Book of Common Prayer Was Translated into Italian

Linguaggio e Utopia in Aristofane

**Esclusione e misoginia nel Tersite di Stefan Zweig**