Green and Blue Shakespeares

17-25 July 2026

Group A

BA students (third year and near-graduates); Master’s and Doctoral students, as well as schoolteachers (Group A). Students of group A should have at least a B2 level in English.

Group B

Acting School students and graduates as well as performers (Group B).

Group C

Journalists, writers, dramaturgs, directors, theatre critics, students and professionals in media and communication, literature students (Group C).

Since classical antiquity, the Mediterranean has been a breeding ground for cultural formation and transformation, extraordinarily capitalised on by Shakespeare, who set many of his plays there, re-elaborating narratives, cultural models, theatregrams, epistemological perspectives, and visual and material art forms. In turn, Italy and the other Mediterranean cultures are nowadays responding to the aesthetic and cultural stimuli of those plays, with ever new interpretations and reinterpretations.
        The SaM Summer School will approach Shakespeare and the Mediterranean from a double perspective that integrates source studies and performance studies: from the Mediterranean sources of Shakespeare to Shakespeare as a source of new adaptations and rewritings in the heart of the Mediterranean.
         The sixth edition will be held in parallel with the 12th World Shakespeare Congress devoted to Planetary Shakespeares, and will be entitled:

Green and Blue Shakespeares
We will explore Shakespeare’s engagement with nature “twixt the green sea and the azured vault” (The Tempest 5.1.43).

    Focusing on the “green” and “blue” dimensions of Shakespeare’s drama—landscapes, gardens, forests, islands, seas, rivers, and maritime routes—the programme examines how nature, ecology, and the environment are represented across Mediterranean settings in the plays. Through close readings of a variety of plays set in the Mediterranean and his sonnets, participants will explore how Shakespeare’s Mediterranean becomes a space where land and sea, human and non-human life, politics and ecology intersect. The summer school invites students to rethink Shakespeare’s work in light of contemporary environmental concerns, highlighting the enduring relevance of his “green and blue” imaginaries within a planetary and Mediterranean framework.

        Besides the lectures and seminars scheduled during the week (17-25 July), participants will also be admitted to selected activities of the World Shakespeare Congress, including the Verona Shakespeare Fringe.

For information please write to: sam.skene@ateneo.univr.it

 

Participants in the summer school are free to choose in-person or remote attendance (group A only). Minimum attendance: 80%. Participants will be divided into three groups:

  • BA students (third year and near-graduates); Master’s and Doctoral students, as well as schoolteachers (Group A). Students of group A should have at least a B2 level in English.
  • Acting School students and graduates as well as performers (Group B).
  • Journalists, writers, dramaturgs, directors, theatre critics, students and professionals in media and communication, literature students (Group C).

The summer school is designed as a cycle of lectures and workshops offered in a face-to-face environment or as synchronous online teaching (only for Group A activities). Participants in group A are free to choose the most suitable mode. 

From 20 to 25 July the fifth edition of the Verona Shakespeare Fringe (VSF) will take place at the Teatro Ss Trinità in Monte Oliveto. Attendance to the shows and the Q&A sessions is compulsory for the students of the summer school. 

The Summer School will admit up to 75 participants (35 in Group A, 30 in Group B and 10 in Group C)

Classes will be held in English. Minimum attendance: 80% on site (or online for group A students).

Participants can book their accommodation independently, taking into account that the summer school activities will take place in the following locations:

Some options for independent booking:

Applications are open and will close on 9 May 2026.
 
Admitted candidates will be notified by 15 May 2026. Candidates will need to confirm their participation by 20 May 2026. 
The deadline for the tuition fee payment is  31 May 2026. Withdrawals will be accepted within 7 days of the date of the payment.

End-of-course essays will be due by 31 October 2026.

Staff

Chiara Battisti (University di Verona)

Jaq Bessell (GSA, University of Surrey)

Silvia Bigliazzi (University of Verona)

Petra Bjelica (University of Verona)

John Blondell (Westmont College and Lit Moon Theatre Company, Santa Barbara CA)

Fernando Cioni (University of Florence)

Andrea Coppone (Performer)

Paul Edmondson (Shakespeare Birthplace Trust, Stratford-upon-Avon)

Sidia Fiorato (University of Verona)

Evgeniia Ganberg (University of Cambridge)

Sonia Massai (Sapienza Università di Roma)

Iolanda Plescia (Sapienza Università di Roma)

Andrea Peghinelli (Sapienza Università di Roma)

Jason Lawrence (University of Hull)

Cristiano Ragni (University of Verona)

Beatrice Righetti (University of Verona)

Emanuel Stelzer (University of Verona)

Stanley Wells (Shakespeare Birthplace Trust, Stratford-upon-Avon)

In collaboration with:

  • The Shakespeare Institute, University of Birmingham
  • Shakespeare Birthplace Trust
  • Cambridge University
  • Guildford School of Acting, University of Surrey
  • Faculty of Dramatic Arts – University of Belgrade
  • Westmont College, Santa Barbara (CA)
  • Conservatorio Dall’Abaco di Verona
  • Teatro Scientifico/Teatro Laboratorio
  • Fondazione Artioli